Customer Reviews:
 Not what I thought. August 29, 2005
Erick C. (United States)
2 out of 3 found this review helpful
This book pretty much tells you the story of a photographer but doesn't really tell you why he uses a specific type of lighting or what kind of lights. Most of it talks about studio size and why in his life, the photographer has done more studio than location.
It's pretty much like a biography of the photographer and his studio, but a teaching book.
It's not bad anyway.
 Great - Fantastic HOW TO Book January 19, 2003
helen s cho (Point Roberts, WA United States)
1 out of 1 found this review helpful
The title of this book is somewhat misleading... but only in a minor way. EVERY photo in this book is about people... not the more generic "Studio and Commercial" photography... I'd have paid good money to see a couple still lifes of an apple and an orange by the time I reached the end. In fairness, Jack "What's his name" has obviously fantastic work (Like he needs MY endorsement), and all that he has to offer are words of wisdom... I just wish it was as easy in reality as he makes it look in literature!!!Reznicki walks you through all of the steps of creating an image, from receiving the phone call on Friday afternoon, to getting your crew lined up, building the sets, models, and client management!! Great info if you want to make a buck with your images! Good diagrams on how he gets his images too!!
Studio & Commercial Photography February 20, 2000
John (Hartford, CT.)
2 out of 2 found this review helpful
A top notch resource for the working pro and amateurs alike. I picked up some tips that have made my job so much easier. The book is very relaxed and open in its presentation with a no nonsense delivery of information.
Become Inspired In Just 176 Pages February 18, 2000
Mike Harbour (Flower Mound, TX United States)
10 out of 10 found this review helpful
As a writer (newspapers, corporate publications, magazines), I'm very critical of writing technique. There's not much to criticize here, though, because Jack writes like he probably talks: conversationally, but clearly. That's a big deal because usually photographers can get by with writing cutline info...few are trained in written storytelling. A voracious reader could whiz through the book in an evening, but believe me, you'll reread it again and again.As a photographer who's just opened a portrait studio, the book has helped me in many ways. For instance, Jack tells readers how to coax reactions from those hardest of subjects -- children. That's going to be very helpful in my studio. Additionally, he offers much technical advice that every shooter is bound to find useful. Finally, he covers the business aspect of photography that gets glossed over in other books. Jack's advice in this area is real world...he's worked for large clients most of us have heard of, so I'm willing to trust his words implicitly. In short, a fine book that's bound to be helpful, too. What more do you want?
Time well spent with great Pro August 10, 1999
7 out of 7 found this review helpful
This book is like spending time in Jack's Studio when he's very busy solving problems and creating great images. The only difference is that in the book, he has time to talk with you and tell you why and how of everything he does. I got lots of solid information from this book. I applied some great stuff that I learned the first week I read it. Jack's an easy guy to learn from. (His writing is easy and not like many photographers who are good with images but poor with words.) For anybody thinking of starting or improving their commercial studio business, this book is one of the best!
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