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Vanishing America: The End of Main Street Diners, Drive-Ins, Donut Shops, and Other Everyday Monuments | 
 enlarge | Authors: Michael Eastman, William H. Gass
Creator: Douglas Brinkley
Publisher: Rizzoli
Category: Book
List Price: $39.95
Buy New: $23.32
You Save: $16.63 (42%)
New (27) Used (9) from $23.32
Rating:  4 reviews
Sales Rank: 226507
Media: Hardcover
Pages: 192
Number Of Items: 1
Shipping Weight (lbs): 2.6
Dimensions (in): 9.6 x 9.6 x 0.9
ISBN: 0847830403
Dewey Decimal Number: 779.9973
EAN: 9780847830404
ASIN: 0847830403
Publication Date: April 29, 2008
Availability: Usually ships in 1-2 business days
Condition: selling the best for less
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Product Description
Think of the quirky buildings you pass every day but whose quiet beauty you take for granted—the moviehouses, juke joints, soda fountains, barbershops, roadside diners, and storefront churches. You don’t miss them until they’re gone. As suburban sprawl and strip malls conquer the country, these vestiges of a lost way of life are falling under the wrecking ball. Here the photographer Michael Eastman has made the ultimate road trip, crisscrossing the nation dozens of times, to capture these buildings on film before they vanish. These dreamy images call us to question what we choose to let go in the wake of contemporary life, with a cool melancholy that evokes the work of Edward Hopper, Jack Kerouac, and William Eggleston. There is a wry sense of humor here as well. The book delights in the idiosyncracies of America’s vernacular styles, ranging from Depression Deco to New England clapboard in random juxtapositions that accrue over time in a town’s landscape. Countless visual puns arise among the book’s many detailed images of signs and statuettes. Vanishing America catalogues great everyday American architecture and design. But it also offers a provocative portrait of the silent emptiness that has descended upon vanishing small communities everywhere.
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| Customer Reviews:
A Different Kind of Beauty August 29, 2008
EcoSooz
This book is beautiful, but not in the traditional sense. It shows well-loved and decaying mainstays of small towns all across the U.S. Not so much the "Route 66" kitchy America, but the regular, everyday sights and signs that we seldom focus on but are there, nonetheless. The photographer took pictures of what was on the other side of the street, and it is poignant and a little sad to see some of that stuff in such a state of decline. I'm glad I purchased the book and I love to remember the small town I grew up in as I flip through its pages.
 A Necessary Disappointment June 17, 2008
Chris Shaw (Hermosa Beach, CA USA)
3 out of 3 found this review helpful
If You're a fan of Michael Eastman's fine art photography, as I am, you must get a copy of his latest book, "Vanishing America." You must get it, but you'll be disappointed in it--disappointed in the layout, particularly, but also in the reproduction.
As to the layout, the photographs are given no respect. They are presented full bleed, that is, without margins. A typical two-page spread has a large picture full-bleed on the left side, and an array of smaller pictures--also full bleed and butting up against each other so it's hard to tell where one ends and the next begins--on the right.
This is not a book of photographs so much as it is a book of Americana, the kind you see on the bargain racks of the large chain bookstores.
As to the reproduction, I remember seeing a large (50x40 inch) print of "Shotgun House, New Orleans" at a show a few years ago. It was $5000 framed and I wanted it, but I had neither the wall space nor the money, so I contented myself with a free, postcard-size promotional reproduction. This reproduced the colors of the larger image very well and it served as a good reminder of why I liked it. This picture is reproduced in the book, slightly cropped, for no good reason, and with a decided magenta cast, compared to my postcard copy. Looking at the picture in the book, it doesn't remind me at all of my feelings for the original print.
I assume books of American are more profitable than books of photographs. If so, I can forgive this disappointing book. Fine art photographers need all the support they can get.
Worth getting June 9, 2008
Ed Freeman (Los Angeles, CA United States)
1 out of 1 found this review helpful
This book is full of wonderful pictures - too many, in fact. It could be half as long as it is and still be worth the cover price and more. The result of such overly generous editing is that the layout is downright awful - crowded, jumbled and ugly. But that in no way diminishes the fact that there are some stunning, evocative pictures in here, pictures of the backbone of America many of us have never seen and will never see. A book to come back to again and again.
Catch 'em while you can April 29, 2008
Robin Benson
13 out of 14 found this review helpful
The subtitle to this fascinating book is The End of Main Street and Michael Eastman has taken it upon himself to record as much of it as possible before progress or neglect flattens what's left. Flick through the pages and you'll see more than two hundred shots of small town commonplace. The five chapters (Theaters, Churches, Hangouts, Doors, Signs, Stores, Services, Autos, Hotels and Restaurants) pretty much cover what you'll see in any town across the country.
Nearly every photo is an exterior and I thought one of the strengths of Eastman's work is the no-nonsense straight-on compositions. These buildings with their signs, peeling paint or structural modifications are visually intriguing enough not to require odd angles, soft focus or other gimmicks and even though they are photos of record the rich color and choice of subject lifts the contents of the book above similar photography.
The book's production is as impressive as the photos, the square format, matt art paper and 175 screen all come together beautifully. Four stars? Though the book was designed by Pentagram it does have, in my view, a rather annoying fault: there are several pages where photos are butted together which makes for initial visual confusion and I think weakens each relevant photo. A thin black or white line, just to give the minimum separation, would have solved the problem. Fortunately most pages don't have butted photos and on the rest the photos are allowed to sparkle by themselves and they do.
***FOR AN INSIDE LOOK click 'customer images' under the cover.
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