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The Nature of Photographs | 
enlarge | Author: Stephen Shore Publisher: Phaidon Press Category: Book
List Price: $39.95 Buy New: $25.05 You Save: $14.90 (37%)
New (36) Used (10) Collectible (2) from $25.05
Rating: 16 reviews Sales Rank: 58192
Media: Hardcover Pages: 136 Number Of Items: 1 Shipping Weight (lbs): 1.8 Dimensions (in): 9.8 x 8.5 x 0.8
ISBN: 071484585X Dewey Decimal Number: 771 EAN: 9780714845852 ASIN: 071484585X
Publication Date: February 1, 2007 Availability: Usually ships in 1-2 business days Shipping: International shipping available Condition: Brand New, Perfect Condition, Please allow 4-14 business days for delivery. 100% Money Back Guarantee, Over 1,000,000 customers served.
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Product Description An Essential Primer on Understanding Photography by One of the World's Most Influential Photographers "In my roughly twenty years of writing about photography, I don't think I've come across a book that has implied so much with so few words, a book that raises so many important questions with so little fanfare and with such precision." -James Kaufmann, Photographer's Forum By the age of 14, Stephen Shore (b.1947) took his first photograph. By 17, he was a regular at Andy Warhol's Factory photographing both the artist and his entourage. At 23, he became the first living photographer to have a one-person show at the Metropolitan Museum of Art. At 35, he was appointed Director of the Photography Program at Bard College. An unrivalled pioneer in the field of color photography, his work has been exhibited in numerous museums worldwide, including an exhibition opening this May at the International Center of Photography that focuses on the work from his critically acclaimed books American Surfaces and Uncommon Places. With such an impressive career, no one is a better suited guide to the nature of photographs. THE NATURE OF PHOTOGRAPHS by Stephen Shore, is an essential primer on how to understand photography by one of the world's most influential photographers. Growing out of a college course that Shore taught for many years, this book explores ways of looking at photographs from all periods and all types--from iconic images to found photographs, from negatives to digital files. Its aim is to describe the physical and formal attributes of a photographic print--the very elements that form the tools a photographer uses to define and interpret the content. In the end, Shore teaches us, on the most basic level, how a photograph "works." As well as a selection of Shore's own work, THE NATURE OF PHOTOGRAPHS contains images from all eras of photography, from classic works by Walker Evans, Robert Frank, and Eugene Atget to more contemporary work by Bernd and Hilla Becher, Cindy Sherman, Joel Sternfeld, Thomas Struth, and Richard Prince. It includes all genres, such as street photography, fine art photography, and documentary photography, as well as images by unknown photographers. Together with his clear, intelligent, and accessible text, Shore uses these works to demonstrate how the world in front of the camera is transformed into a photograph. Divided into four main chapters--The Physical Level, The Depictive Level, The Mental Level, and Mental Modeling--THE NATURE OF PHOTOGRAPHS explores how photographs function visually. By teaching us how to see through the eyes of a photographer, Shore teaches us a new way to look at the world around us. This affordable book serves as indispensable tool for students, teachers, and everyone who wants to take better pictures.
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| Customer Reviews: Read 11 more reviews...
Great Book, Good learning opportunities September 30, 2008 A. Petchel This book is great learning material for photographers. It's a little "heady", but full of beautiful, inspiring images.
Science Oriented September 8, 2008 Leonard Samson This is an interesting book in that it explains the visual mechanics behind how we view photographs. Many of the examples given are beautiful pictures in their own right, but it is the written explanations of what goes on on in our brains as we study these two dimensional flat objects, where the book really shines. Despite its rather small size it is quite fascinating: an easy read, yet very informative. Any student of either science or photography, as well as those merely curious about how things work, will enjoy Shore's marvelous oeuvre. My only reservation, prompting the four star rating rather than a five, is its briefness. When it comes to us photographers, the more pictures, the better.
Short but deep July 14, 2008 Under Exposed (Perth, Western Australia) In this short essay, Shore manages to communicate some deep truths about photography in a refreshingly clear and accessible style. The arguments are simple, profound and convincing. Together with the photographs, the result is a thought-provoking and almost meditative book. It has become one of my favorites.
You can look but can you see May 5, 2008 Robin Benson 3 out of 3 found this review helpful
I've always loved Stephen Shore's work ever since I bought his 'Uncommon Places' book in 1983. It has two of my favorite Shore images: La Brea Avenue & Beverley Boulevard and El Paso Street, El Paso (both taken in 1975) this last one is in The Nature of Photography. A photographer is perhaps the ideal person to tell others about the fundamentals of looking at photos and my appreciation of Shore's work was enough to make me buy the book. It certainly has some quite stunning photos, especially where they relate to specific text and many thought provoking points come across but I was left with the impression that there should have been more or a different way to explain what there is. The book's photos are a key element in how to understand what is going on and I would have preferred to have seen others that didn't work as obviously as the ones that do. Shore, like any creative photographer, must have taken many images that he doesn't think work as well as the final choice. Seeing some lesser alternatives to the ones in the book would have improved it no end by explaining why photo A reveals a fundamental point beautifully but photo B doesn't. I thought too many visual concepts were put across more by words than images. Shore says that he used Szarkowski's `The Photographer's Eye' when he started teaching and his book carries on the theme. Overall I still prefer Szarkowski's book, there are far more photos included and the presentation is much more user friendly than the hard edge Phaidon design, with its excessive amounts of empty page space and trendy use of a typewriter font for every bit of text. Incidentally as both books are concerned with image appreciation and understanding maybe a DVD format would work just as well as these printed versions. ***FOR AN INSIDE LOOK click 'customer images' under the cover.
Did i get the same book? May 5, 2008 Joel W. Wolski (California) 2 out of 3 found this review helpful
I read the reviews. I got the book. I read the book. Then I went and reread through the reviews again to see if I had missed the point of what people must have been saying. I'm left wondering if I even have the same book. First off, this book has great photos magnificently reproduced. I appreciate when an author lets the images speak for themselves and this book had great potential to do just that, seeing that the entire text of the book would scarcely fill a dozen or so 3x5 file cards. Then the author opened his mouth and I was no longer sure what I was looking at. Only about 10% of the text made any sense to me. I do not question his mastery of photography, but I got the feeling I was being talked down to because I didn't have a doctorate in philosophy. I will agree with one reviewer statement that it seemed a bit pretentious. He really needs to work on his communication skills. Education should be used to help others learn, not show off how educated you are. Personally, I didn't get a lot out of it. Not just because there wasn't a lot in it, but because what little there was seemed to go right over my head. I was left with the possible conclusion that maybe I'm too dumb to be a photographer. A good book should make seemingly complex topics simple, not do what this book does and make the very simple act of looking at a photograph complex.
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