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PhotoArt: Darkroom, Digital, Handcoloring, Montage | 
enlarge | Authors: Tony Worobiec, Ray Spence Publisher: Amphoto Books Category: Book
List Price: $29.95 Buy New: $17.04 You Save: $12.91 (43%)
New (15) Used (9) from $11.81
Rating: 5 reviews Sales Rank: 677729
Media: Paperback Pages: 160 Number Of Items: 1 Shipping Weight (lbs): 1.7 Dimensions (in): 10.8 x 8.6 x 0.6
ISBN: 0817453725 Dewey Decimal Number: 770 EAN: 9780817453725 ASIN: 0817453725
Publication Date: June 1, 2003 Availability: Usually ships in 1-2 business days Condition: Absolutely Brand New & In Stock. 100% 30-Day Money Back. Direct from our warehouse. Ships by USPS. 1+ million customers served-In business since 1986. Happy Customers is Our #1 Goal. Toll Free Support
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wonderful (and wondrous) - highly recommended July 29, 2005 John Stevenson (Colorado Springs, CO U.S.A.) 2 out of 2 found this review helpful
This is a great book, full of practical guidance, inspirational ideas and impressive/intriguing images produced by the authors (all in about equal measure). Just as one simple illustration of the scope covered, there are example images throughout the book taken using conventional film cameras (old and new, in several different formats), pinhole cameras and digital cameras, plus others generated via photograms and from digital scanners when used as "cameras". Further, the book even includes work based on the use of found-object photographic originals (old magic lantern slides). The mixed media artwork described in the book all uses conventional photography as its basis: but, as I counted, about fifteen different techniques are outlined (sic) by which added media can be incorporated into the final presentation of the image itself. And my count doesn't include a separate section which encourages the printing of images onto bolts or segments of fabric (using tee-shirt transfer film, for example). Finally, at the very end of the book, there's a short chapter focused on depicting the passage of time via still images. Personally I feel that this is one of the truly under-explored "provinces" of contemporary creative photography - particularly given all of the digital toolkits that are available today. About the only reason for an aspiring fine art photographer not to buy this book would be if he or she wanted to find specific detailed routines for the use of Photoshop or similar photo-editing software. In that circumstance, it might be best to purchase a companion handbook, just dealing with the basic application(s) of the software by itself. But then again, he or she could wait until the author's newer book "Digital Photo Art" becomes available in the U.S. (currently it can only be found in the U.K.) ...
Idea Book, thats all April 27, 2004 Caroline S. Hardison (Albuquerque, New Mexico United States) 1 out of 2 found this review helpful
I expected to get more than ideas, but that all you'll find in this Tory Worobiec book. Very few details on how-to, and most are topics already covered in previous books.
Beautiful, for the creative process in photography October 29, 2003 Chris (NC) Unique treatment of possibilities attainable in print and digital photography. With the digital format seemingly assigned the future in impressionistic photography, this book treats both (to me) equally vital. High quality throughout, presents a challenge to match the abundant beautiful images pervading these pages.
Beyond Ordinary Photography August 12, 2003 Conrad J. Obregon (New York, NY USA) 7 out of 8 found this review helpful
This book is aimed at the photographer who wants to go beyond "straight" photography and into the realm of the other visual artistic media. It does this by describing a number of different techniques less commonly used by photographers that can be applied to photographic images.The techniques explored range from the traditional like multiple exposure and toning to what some might consider more avant-garde, like photograms, which are images made on photo-sensitive media without a camera, and distressed images, that is, those deliberately subjected to destructive forces. The authors recognize that the mechanics of photography are in flux and so refer to both chemical darkrooms and digital manipulation. This is more of an idea book than a how-to book. The descriptions of most of the techniques are cursory. If one wanted to use a technique in connection with one's photography, one would probably have to do additional research. In addition, the number of examples provided in the book is necessarily limited to about a half dozen for each technique. For me, with the exception of some approaches of which I had already been thinking, that was not enough for me to see how I could apply the procedures to my own photography. Of course, that may be a major problem with a catalogue of unusual procedures. It is difficult, or perhaps impossible, to explain how to extend one's vision so that these techniques will prove useful. I suspect that one must already have both a full understanding of, and a deep dissatisfaction with, the traditional techniques of photography as a method of expressing one's vision. If that is true of a photographer, he or she is probably already thinking about how to change the form to express his or her vision. In that case, this volume might provide a few useful ideas.
Concerning both traditional and digital working methods August 7, 2003 Midwest Book Review (Oregon, WI USA) 1 out of 1 found this review helpful
Collaboratively written by photography experts Tony Worobiec and Ray Spence, Photo Art: Darkroom, Digital, Handcoloring, Montage is enhanced with two hundred color and twenty-five black & white illustrations. Photo Art is more than a just another photography collection -- it is a carefully organized and effectively presented step-by-step instructional manual which is ideal for novice photographers seeking to create art through the use of their cameras, as well as an outstanding educational resource appropriate for even experienced photographers as it provides technical know-how, advice, tips, tricks, and techniques concerning both traditional and digital working methods for taking pictures which rise to the high esthetic standards of fine art. The eye-catching full-color photographs and extensive suggestions for light, border, distinctive contrast in subject material and much more fill this memorable guide.
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