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Elements of Black and White Photography: The Making of Twenty Images

Elements of Black and White Photography: The Making of Twenty Images

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Author: George Todd
Publisher: Amphoto Books
Category: Book

List Price: $29.95
Buy New: $4.95
You Save: $25.00 (83%)

Qty 25 In Stock


New (5) Used (8) from $4.95

Rating: 5.0 out of 5 stars 4 reviews
Sales Rank: 427334

Media: Paperback
Pages: 128
Number Of Items: 1
Shipping Weight (lbs): 1.5
Dimensions (in): 9.5 x 9.4 x 0.4

ISBN: 0817438211
Dewey Decimal Number: 771
EAN: 9780817438210
ASIN: 0817438211

Publication Date: September 1, 2001
Availability: Usually ships in 1-2 business days
Condition: New - may have a small remainder mark on the edge.

Similar Items:

  • Edge of Darkness: The Art, Craft, and Power of the High-Definition Monochrome Photograph
  • Lee Frost's Simple Art of Black and White Photography: Easy Methods for Making Fine Art Prints
  • Mastering Black-and-White Photography: From Camera to Darkroom
  • Examples: The Making of 40 Photographs
  • The Negative (Ansel Adams Photography, Book 2)

Customer Reviews:

5 out of 5 stars GREAT BOOK & AWESOME PHOTOGRAPHY   December 21, 2007
Stacie K. Gibson (Pickens, SC)
2 out of 2 found this review helpful

THIS BOOK WAS GREAT FROM THE START. IT GAVE ME A LOT OF GREAT IDEAS AND EVEN MORE INSIGHT TO THE TECHN. ON TAKING UNIQUE AND AWESOME BLACK & WHITE PHOTOS. I WOULD RECOMMEND THIS BOOK TO ANYONE. IT IS EASY TO FOLLOW AND HAS GREAT PICTURES AND IDEAS!


5 out of 5 stars The Best Yet   August 31, 2005
Murray Nye
5 out of 5 found this review helpful

I have several books on B&w photography and George Todd's The Making of Twenty Images is the best I've read so far. I particulary like the fact that he includes his negatives as he reveals what went into each photograph, from composition to film development, printing and mounting.


5 out of 5 stars Something for Everyone   February 6, 2003
Colin J. Clarke (Mount Pleasant, SC USA)
16 out of 16 found this review helpful

I got this book at the same time as I got Barry Thornton's Edge of Darkness. I found they were complementary is many ways. George Todd has been at this craft of making monochrome pictures for several decades, and his skill and picture and printmaking ability shine through. Mr Todd has got the picturemaker's trinity of 'tone, detail and texture' pretty much down pat, and the book gives us fine example after fine example of that. Wheras Mr Thornton in Edge of Darkness tells us as much about his heart and his head as about his superb pictures, George Todd has provided an extremely detailed account of each picture from before the shutter was tripped to when the print was ready to mount. There is something for everyone here - technicians, printmakers, photographers, and the house guest who simply browses a well produced book of outstanding images over a cup of coffee. They won't need to read one word - the pictures will speak to them. I like the book most of all because it showcases the ability of medium format so well. If the negative sizes were not detailed, I'm sure most would think these prints were from large format negatives. I'm glad I have it in my library.


5 out of 5 stars Something for Everyone   February 6, 2003
Colin J. Clarke (Mount Pleasant, SC USA)
3 out of 4 found this review helpful

I got this book at the same time as I got Barry Thornton's Edge of Darkness. I found they were complementary is many ways. George Todd has been at this craft of making monochrome pictures for several decades, and his skill and picture and printmaking ability shine through. Mr Todd has got the picturemaker's trinity of 'tone, detail and texture' pretty much down pat, and the book gives us fine example after fine example of that. Wheras Mr Thornton in Edge of Darkness tells us as much about his heart and his head as about his superb pictures, George Todd has provided an extremely detailed account of each picture from before the shutter was tripped to when the print was ready to mount. There is something for everyone here - technicians, printmakers, photographers, and the house guest who simply browses a well produced book of outstanding images over a cup of coffee. They won't need to read one word - the pictures will speak to them. I like the book most of all because it showcases the ability of medium format so well. If the negative sizes were not detailed, I'm sure most would think these prints were from large format negatives. I'm glad I have it in my library.

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