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Winogrand: Figments From The Real World

Winogrand: Figments From The Real World

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Author: John Szarkowski
Creator: Garry Winogrand
Publisher: The Museum of Modern Art, New York
Category: Book

List Price: $55.00
Buy New: $24.95
You Save: $30.05 (55%)

Qty 3 In Stock


New (5) Used (4) from $19.99

Rating: 5.0 out of 5 stars 4 reviews
Sales Rank: 292766

Media: Hardcover
Pages: 260
Number Of Items: 1
Shipping Weight (lbs): 4.6
Dimensions (in): 11.5 x 10.3 x 1.3

ISBN: 0870706357
Dewey Decimal Number: 770
EAN: 9780870706356
ASIN: 0870706357

Publication Date: June 2, 2003
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
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Also Available In:

  • Hardcover - Winogrand: Figments from the Real World
  • Paperback - Winogrand: Figments from the Real World
  • Hardcover - Winogrand: Figments from the Real World (Springs Industries Series on the Art of Photography)
  • Paperback - Winogrand; Figments From The Real World

Similar Items:

  • The Americans
  • The Photographer's Eye
  • Friedlander
  • Arrivals & Departures: The Airport Pictures of Garry Winogrand
  • Los Alamos

Editorial Reviews:

Product Description
Back in Print The first comprehensive overview of the work of Garry Winogrand, long out of print and difficult to come by, contains an eloquent and important essay on the life and work of the photographer by John Szarkowski and a lavish plate section presenting the photographs thematically. Grouped under the following titles-- Eisenhower Years, The Street, Women, The Zoo, On the Road, The Sixties, Etc, The Fort Worth Fat Stock Show and Rodeo, Airport, and Unfinished Work-- many of the 179 plates are works that had never before been published. The last section includes 25 pictures chosen from the enormous body of work that Winogrand left unedited at the time of his death in 1984. In his essay, Szarkowski, who knew the photographer well during most of his career, describes the development of Winogrand's pictorial strategies during his years as a photojournalist, the increasing complexity of his motifs as he pursued more personal goals, and the challenge posed for other photographers by the powerful and distinctive authority of Winogrand's best work, "with its manic sense of a life balanced somewhere between animal high spirits and an apprehension of moral disaster."


Customer Reviews:

5 out of 5 stars Go For It   April 25, 2006
Leela (Paris)
2 out of 3 found this review helpful

You won't regret putting this one in your collection. Garry probably lost the plot out there in tv land toward the end but Moma maestro plucks 20 or 30 pictures out of the dead zone to give us a treat. Frankly liked the post-humous stuff just as much and the book gives you a super buzz if you like that good ol' street stalker stuff. Don't even think about it ...whack it in the collection or send it as a gift...it's a great book.


5 out of 5 stars Winogrand: Figments from the Real World   July 28, 2005
Mark Hillringhouse
10 out of 10 found this review helpful

Gary Winogrand came out of the generation of street photography inspired by Henri Cartier-Bresson that included Diane Arbus, Robert Frank, Lee Friedlander, and Joel Meyerowitz. He worked at framing the "decisive moment" as he filled his black and white composition with split-second accuracy and detail. His subjects are caught mid-flight in candid moments of personal introspection, or engaged in social activity. There are photos of secretaries walking back to their Manhattan mid-town offices after lunch. There are photos of couples dancing, holding each other's gaze and unaware that the camera has recorded their intimate glance into each other's eyes. He shot the famous at night clubs, and took photos of passengers arriving and departing international airports. Wherever there were people on lines at movies, at airports, or walking down crowded city avenues, or stopping at store windows, or entering and exiting revolving doorways of skyscrapers, or of people waiting at street corners, kids hanging out, the elderly on benches, the young in love in each other's arms, Winogrand was there with his camera.

What you see through his lens is his version of America, of who we are, and what we look like, and how we fill in the spaces we inhabit from small towns in America out west, to the big city streets of Los Angeles and New York. He captures us as we work and play, he records how we gape as spectators at rodeos or at stippers at strip tease clubs, or at movies, or at square dances and Fourth of July parades in small-towns. He captures us at home, in our yards, in our cars, at zoos and at ball games and in our rooms isolated and alone.

Winogrand captures the soul of a nation. He is artful in his use of black and white in that he cuts a slice of reality and presents it as a full meal for our eyes to feast on. You can enter his composition from any angle and find a way into his image.

Winogrand is an American master, and this collection gathers the best of his many exhibits and shows and books of photographs and lays them out in chronological fashion, from the early 1950s to the the early 1980s in order that we can study the development of his genius over the course of his career.






5 out of 5 stars If you like Winogrand, you'll love this book   June 13, 2004
Richard Drdul (Vancouver, BC)
9 out of 9 found this review helpful

A very good retrospective of Garry Winogrand's career. All my favourite Winogrand photos are included, and the quality of the printing is excellent -- the images are not too dark nor too contrasty, with plenty of detail.


5 out of 5 stars winnogrand's eye   July 6, 2003
William D. Tompkins (New York, New York USA)
3 out of 17 found this review helpful

a wonderful collection of images from street photographer garry winnogrand--this collection if from all over the country during the 50's, 60's and 70's

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