| Subcategories | History & Criticism Paperback |
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Naked City | 
 enlarge | Author: Weegee
Creator: Arthur 'weegee' Fellig
Publisher: Da Capo Press
Category: Book
List Price: $17.50
Buy New: $10.59
You Save: $6.91 (39%)
New (21) Used (11) Collectible (2) from $9.65
Rating:  2 reviews
Sales Rank: 103958
Media: Paperback
Pages: 256
Number Of Items: 1
Shipping Weight (lbs): 0.8
Dimensions (in): 9 x 5.9 x 0.6
ISBN: 0306812045
Dewey Decimal Number: 070
EAN: 9780306812040
ASIN: 0306812045
Publication Date: December 17, 2002
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand New, Perfect Condition, Please allow 4-14 business days for delivery. 100% Money Back Guarantee, Over 1,000,000 customers served.
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Amazon.com Review
"If it bleeds, it leads" -- the cynical battle cry of today's tabloids -- might easily have been the motto of Arthur Fellig, the freelance photojournalist better known as Weegee, who cruised the streets of 1940s New York in the wee hours of the morning in search of the sensational. His pictures of children sleeping on fire escapes, blood-splattered corpses on sidewalks and amorous couples on the beach -- as seen in this reprint of his first book -- reveal that Weegee, unlike his latter day counterparts, had heart and soul. He also had a cockeyed sense of humor, as evidenced by his captions and camera tips.
Product Description
For Naked City, his first collection, Weegee cruised the streets of 1940s New York in the wee hours in search of the sensational. Lewd, louche, licentious but always brimming with life (except when brimming with death), Weegee's photographs have endured decades of modern art criticism and are again enjoying a much-deserved cult revival.
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| Customer Reviews:
 Big Apple's snapper August 11, 2003
Robin Benson
30 out of 30 found this review helpful
Weegee knew what kind of photos the editors of the New York daily tabloids wanted, in-your-face gutsy black and whites to capture the reader's imagination over the breakfast table. He always delivered too. This reprint of his 1945 book captures the energy of the Big Apple and yet there are no shots of skyscrapers. Instead the (mostly) ordinary folk of the city are shown getting on with their lives and deaths.
Many of the photos are taken at night, a Weegee trademark. Inside buildings he used infrared film so he could shoot in near blackness and capture his subjects displaying emotions they would hide, had they known a camera was about. Out on the street he captured the latest human tragedy in stark close-up with a blinding flash of his Speed Graphic camera.
The contents of this book are an amazing selection of photos but I was very disappointed by the reproduction, so only three stars. As far as I can tell, the photos have been scanned from the 1945 book rather than from original prints. The paper is coarse which doesn't help the reproduction either. This looks not much better than a book of photocopies. Far better I think to go for Miles Barth's Weegee's World. Although it does not have every photo from 'Naked City', the 250 included are printed as duotones on glossy paper, I particularly like this book because it shows many photos as original un-cropped prints. For instance, in his famous photo, 'The Critic' the three bystanders to the left of the two socialites are usually cropped out but here you can see how great the original was. This book also has three excellent essays about Weegee and his influence on other photographers in the Forties.
Another choice might be Weegee's New York Photographs, 1935-1960 with 335 photos from 1935 to 1960 and like the Barth book it is large size and beautifully printed (the photos are duotones) on glossy paper and could possibly have all the photos in Naked City.
 How they lived...and died February 5, 2000
Curtis C. Morgan (Alice Springs, NT, Australia)
16 out of 17 found this review helpful
A fine selection of Weegee's unposed, spontaneous vignettes of life in the city, at least, as it was in the 30's and 40's, equivalent of today's TV "fuzz and the wuzz". His accompanying commentary, unghosted and punchy, mirrors the b/w images; snappy, to the point. The paper stock used here is cheap, but then, these photos usually appeared in the morning paper...in a time when there were newspapers.
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