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American Cinematographer Manual, Ninth Edition 2 Vol Set

Author: Stephen H. Burum
Publisher: American Society Of Cinematographers
Category: Book

List Price: $99.95
Buy New: $54.98
You Save: $44.97 (45%)

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New (4) Used (1) from $54.98

Rating: 5.0 out of 5 stars 3 reviews
Sales Rank: 310511

Media: Paperback
Edition: 9th
Pages: 887
Shipping Weight (lbs): 2.2
Dimensions (in): 7.3 x 4.2 x 1.9

ISBN: 0935578242
Dewey Decimal Number: 778.53
EAN: 9780935578249
ASIN: 0935578242

Publication Date: November 17, 2004
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Brand New!! HARDCOVER!! Ships with delivery confirmation to ensure delivery plus FREE shipping upgrade (USPS Priority Mail). 2 Vol Set in 1. Retails for 99.95 elsewhere. Order now! P.S: This book (Hardbound)is difficult to purchase anywhere else (color). Other types such as the paperback edition is of inferior quality (no color and soft binding)- not this one.

Editorial Reviews:

Book Description
For the first time since Charles Clarke's 1980 edition, the AC Manual has been edited by a professional cinematographer. The completely revised 9th edition offers contributions from experts with more than 100 years of motion-picture experience. Its features include:

• More than 30 new charts, including lighting intensities for more than 90 fixtures.

• A completely revised camera section, rewritten by Jon Fauer, ASC

• A new article on digital intermediates by Bill Feightner and Robert L. Eicholz of EFilm

• Warner Bros. executive Rob Hummel's update of his classic "pros and cons" chapter, which now includes the latest digital postproduction techniques

• A new chapter on hanging miniatures by visual-effects wizard Dan Curry

• "Tak's tips" from Panavision lens expert Tak Miyagishima

• The most extensive section yet on motion-picture formulas, written by Evans Wetmore, vice president of advanced engineering at 20th Century Fox

• A revised chapter on motion-control by visual-effects legend Richard Edlund, ASC, who has included the latest updates on digital technology


Customer Reviews:

5 out of 5 stars Absolutely Invaluable!   March 22, 2006
Matthew H. Pender (Greensboro, NC USA)
2 out of 5 found this review helpful

As a graduating film student who is working on a thesis film, I have come to rely solely on this manual. It has absolutely every bit of information that any aspiring filmmaker could need. I've come to call it my "Bible" of filmmaking. Check it out! You won't regret it!


5 out of 5 stars Hey, it's the "Cinematographer's Bible", you can't do without   January 27, 2006
Jonathan Bowerbank (San Francisco, CA United States)
2 out of 4 found this review helpful

Anybody who plans on working with REAL film should own this, learn it, know portions of it backwards and forwards and use it to their advantage.

It basically answers ANY questions you may have concerning principal filmmaking, and some very help hints when trying to accomplish various optical and special effects in camera.

Get it, or suffer the consequences.



5 out of 5 stars The Cinematographer's Bible   March 4, 2005
OverTheMoon (overthemoonreview@hotmail.com)
23 out of 24 found this review helpful

Also known as "The Cinematographers Bible", this thick hand-sized pocket book is an absolute must for anybody who owns or uses a 16mm, Super 16mm, 35mm, Super 35mm or 70mm motion picture camera (movie cameras). IT WILL NOT TEACH YOU CINEMATOGRAPHY! It is a technical manual to be used when shooting on film and has since become the industry standard book that most amateur and professional cinematographers own and use. Motion pictures cameras are also built around the specifications laid down in this book.

Essentially the first 100 pages deal with all the different types of motion picture cameras, their internal mechanisms, technical details and threading paths. Then the book goes on to dealing with motion picture film itself, the various brands that are available, differences between black and white, color and a bit about the development process of each one. Again, technically detailed. There is also very valuable charts on film lengths and running times according to fps. The lens section is very technical covering the different types of lenses and the most important focal length, distance to subject, measuring charts that is really the most widely used part of this book. There is a massive section on filters, exposure and emulsion testing.

The book then deals with lighting and covers the various aspects of lighting types, bulbs, filters and exposure techniques, all highly technical in nature with references to charts and illustrations. The book ends with a coverage of visual special effects that can be done with the motion picture camera and other special techniques that the cinematographer will need to know about.

You will need this book if you are shooting on film, end of story. If you are looking for a manual that teaches cinematography then choose CINEMATOGRAPHY by Kris Malkiewicz instead. As a note, there is a lot of new digital cinematography cameras on the up and coming that work on digital video tape and not film and many new filmmakers may be advised to check out this route as a cheaper and less costly way of shooting their first film.


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