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The Image in Dispute: Art and Cinema in the Age of Photography

The Image in Dispute: Art and Cinema in the Age of Photography

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Creators: Sally Shafto, Dudley Andrew
Publisher: University of Texas Press
Category: Book

List Price: $19.95
Buy New: $3.90
You Save: $16.05 (80%)

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Sales Rank: 1288546

Media: Paperback
Pages: 347
Number Of Items: 1
Shipping Weight (lbs): 1.8
Dimensions (in): 9.3 x 6.4 x 1.1

ISBN: 0292704763
Dewey Decimal Number: 701.1
EAN: 9780292704763
ASIN: 0292704763

Publication Date: 1997
Availability: Usually ships in 1-2 business days
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Shipping: International shipping available
Condition: Softback is brand new. Nice gift! Fast protective shipping and satisfaction promised on all orders. Doing good business since 2002!

Also Available In:

  • Hardcover - The Image in Dispute: Art and Cinema in the Age of Photography
  • Paperback - THE IMAGE IN DISPUTE: ART AND CINEMA IN THE AGE OF PHOTOGRAPHY

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Product Description
Photography, cinema, and video have irrevocably changed the ways in which we view and interpret images. Indeed, the mechanical reproduction of images was a central preoccupation of twentieth-century philosopher Walter Benjamin, who recognized that film would become a vehicle not only for the entertainment of the masses but also for consumerism and even communism and fascism. In this volume, experts in film studies and art history take up the debate, begun by Benjamin, about the power and scope of the image in a secular age. Part I aims to bring Benjamin's concerns to life in essays that evoke specific aspects and moments of the visual culture he would have known. Part II focuses on precise instances of friction within the traditional arts brought on by this century's changes in the value and mission of images. Part III goes straight to the image technologies themselves--photography, cinema, and video--to isolate distinctive features of the visual cultures they help constitute. As we advance into the postmodern era, in which images play an ever more central role in conveying perceptions and information, this anthology provides a crucial context for understanding the apparently irreversible shift from words to images that characterized the modernist period. It will be important reading for everyone in cultural studies, film and media studies, and art history.

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