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The Photographer's Master Printing Course

The Photographer's Master Printing Course

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Author: Tim Rudman
Publisher: Mitchell Beazley
Category: Book

List Price: $29.95
Buy Used: $12.33
You Save: $17.62 (59%)

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Used (15) from $12.33

Rating: 4.5 out of 5 stars 19 reviews
Sales Rank: 1087795

Media: Hardcover
Pages: 160
Number Of Items: 1
Shipping Weight (lbs): 2.6
Dimensions (in): 11.3 x 9.8 x 0.8

ISBN: 1857324072
Dewey Decimal Number: 771.44
EAN: 9781857324075
ASIN: 1857324072

Publication Date: February 1995
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Tight & Clean. No Marks. Dust jacket has moderate edge wear.

Also Available In:

  • Hardcover - Photographer's Master Printing Course
  • Paperback - The Photographer's Master Printing Course
  • Paperback - The Photographer's Master Printing Course (Mitchell Beazley Photography)
  • Digital - The Photographer's Master Printing Course

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  • The Master Photographer's Lith Printing Course: A Definitive Guide to Creative Lith Printing
  • The Print (Ansel Adams Photography, Book 3)

Editorial Reviews:

Book Description
The Photographer's Master Printing Course offers both the enthusiastic printer and the complete beginner the key to creating perfect prints that combine technical assurance with true self-expression. Ranging from the basics of equipping a darkroom to advanced skills such as lith printing, toning and multiple printing, this complete volume is on the recommended book list of the Royal Photographic Society's Visual Arts (Pictorial) Panel.


Customer Reviews:   Read 14 more reviews...

5 out of 5 stars If I could only have one darkroom book.....   December 6, 2006
Mark Fisher (Chciago, IL)
2 out of 2 found this review helpful

this would be it. Tim Rudman is one of the best teachers of photography around and this is one of the best technique books available. Get it.


3 out of 5 stars The benchmark for beginners and Pro's.   August 20, 2003
Tim Elliott (Mount Gambier, South Australia Australia)
3 out of 4 found this review helpful

My first attempts in the darkroom were some 31 years ago and I purchased many,many books to discover the how and why of black and white printing. I still have all those books, BUT now that I have Tim Rudman's book in my new darkroom the others gather dust. This book is the benchmark for beginners and Pro's.
Thank you Amazon for making it available.



5 out of 5 stars Excellent! Very Comprehensive and easy to understand   January 21, 2003
Mark E. Smith (Connecticut, United States)
2 out of 2 found this review helpful

I am an amature photographer who wanted to get into printing my photos. This book was the foundation of my learning. It was very comprehensive and easy to understand. I found that it was technical enough to make you understand the principles, yet pragmatic enough to use immediatly. Mr. Rudman has done a great service to the photographic community.


3 out of 5 stars Raymond's rating   January 22, 2002
Raymond Masse (Ottawa, Ontario Canada)
1 out of 5 found this review helpful

For the novice, this book could be a little bit too much advanced. For the seasonal (but serious) dark room user, plentiful advices are available, yet the author seems to be in a hurry to go to some points that do not add up in creativity. Well written, I would quote that book as a seasonal reference. The technical side is usefull.
I would believe that the author has a very good knowledge for handling toning procedures. Yet, it's useless to try to give a better rendition by toning an inappropriately printed image.Should it be rewritten, the goal should be to give more details on toning, and suggests that it is for advanced photo printers.



5 out of 5 stars Example or really good book on advance printing   December 8, 2001
Vasya (United States)
2 out of 2 found this review helpful

I am quite new to Black and White printing (that is I do my own printing but I am not professional). I am amazed by the wealth of information given in this book on toning, bleaching, multiple printing and so on. Furthermore you could really see what author mean by showing photographs before and after using some bleaching toning or other technics. And photographs by itself don't feel to be unnatural, in a sense, that most of them show some grain in much or less degree depending on used techinics. Of course, some photographers who like gradual soft sort of photography may not like Rudman's harsh contrasty style of depicting nature, but who cares, it's his artistic expression. He could really explain how he got one or another effect. By the way, if at the end you don't like this book you may leave it for the simple fact of its attractiveness. It could serve you as nice coffee table book, quality is superb. Excellent book.

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