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Master Lighting Guide for Portrait Photographers

Master Lighting Guide for Portrait Photographers

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Author: Christopher Grey
Publisher: Amherst Media, Inc.
Category: Book

List Price: $29.95
Buy New: $18.76
You Save: $11.19 (37%)

Qty 999 In Stock


New (27) Used (9) from $18.63

Rating: 4.5 out of 5 stars 70 reviews
Sales Rank: 3669

Media: Paperback
Pages: 128
Number Of Items: 1
Shipping Weight (lbs): 0.9
Dimensions (in): 10.9 x 8.4 x 0.5

ISBN: 1584281251
Dewey Decimal Number: 778.92
EAN: 9781584281252
ASIN: 1584281251

Publication Date: April 1, 2004
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand New, Perfect Condition, Please allow 4-14 business days for delivery. 100% Money Back Guarantee, Over 1,000,000 customers served.

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Editorial Reviews:

Product Description
Time-tested lighting strategies that will improve the quality of a portrait are detailed in this book for beginning photographers. Terminology used by industry pros is explained, the equipment needed to create professional results is outlined, and the unique role that each element of the lighting setup plays in the studio is explored. Photographers learn how color, direction, form, and contrast affect the final portrait. The concise text, photo examples, and lighting diagrams enable photographers to easily achieve traditional lighting styles that have been the basis of good portraiture since the advent of the art.


Customer Reviews:   Read 65 more reviews...

5 out of 5 stars The light experiments you wanted to do, done for you.   September 30, 2008
Richard Yazwinski (Toronto, Ontario, Canada)
I found this book super-helpful. The light setups are clearly documented. Good pointers of what to watch for and what you should be careful not to do. A definite asset to a photographer's lighting library.


5 out of 5 stars Exactly what I was looking for   September 11, 2008
J. Strayer (Pleasant Grove, UT United States)
this book is great - numerous test shots for each lighting style which highlighted subtle variations in the test shots based on changes in the lighting setup. Diagrams illustrating the equipment used and it's position - the only thing I would have added is more specific distance information for the diagrams, including height.


4 out of 5 stars great intermediate lighting guide   September 8, 2008
Marti
1 out of 1 found this review helpful

I bought this book thinking I would be able to easily set up a studio from it.
I found this book extremely informative BUT on a medium to high-end level.
It is not really a practical guide for the beginning photographer however, I am sure I will be refereing it to in the future.
Chris Grey explains how he set up his lighting in order to get the shots he shows in this book.
My problem was that most of his sets are based on the photographer buying many many different types of reflectors, lights and flags etc.
He does not really explain the simple, beginners studio.
He does not explain for low ceilings etc.
He shows his shots and explains how he got them so if you have the same set up, the same size room etc, you too can reproduce these shots.
While it is a well written book, I found it to be on a high level.
If someone is already at this level of lighting equipment, then he already knows all the info on ratios Chris writes about.
Great reference guide and enjoyable to read.
Not for the beginner who wishes to use it as a guide to setting up his first studio.



3 out of 5 stars Not good for beginners   September 8, 2008
Online fan girl (New York)
1 out of 1 found this review helpful

This book jumps straight into the different techniques and does not explain simple lighting concepts much at all. I also thought that the styles blurred together and he didn't separate them out enough and explain the differences between each one.


4 out of 5 stars Master Lighting Guide   August 19, 2008
S. E. Ayers (Atlanta, GA)
1 out of 1 found this review helpful

I purchased this book based on the recommendation of another photographer. I have found the book to be well written with excellent illustrations and guides. The only shortcoming, if it can be called such, is the persistant reference to film based cameras and their settings and controls. The text seems to have been written more to help someone who uses, or used, film and has little experience with a digital camera. This does NOT make the information any less relevant, just a little harder to grasp on the initial reading. With study and persistant application of the lessons, I found, and continue to find, the book to be very helpful. I am quite glad I ordered it and would give it very good marks.

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