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Sony Professional HVR-A1U CMOS High Definition Camcorder with 10x Optical Zoom | 
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| Brand: Sony
Category: Photography
Buy New: See price in cart
New (1) Used (3) from $1,944.92
Rating:  10 reviews
Sales Rank: 6976
Color: Black
Media: Electronics
Batteries Included: Yes
Optical Zoom: 10
Display Size: 2.7
Maximum Focal Length: 51
Minimum Focal Length: 5.1
Shipping Weight (lbs): 5.5
Dimensions (in): 14.1 x 7.6 x 6.6
MPN: HVRA1U
Model: HVRA1U
UPC: 027242687004
EAN: 0027242687004
ASIN: B000ENON1A
Release Date: October 1, 2005
Shipping: Eligible for Super Saver Shipping
Availability: Usually ships in 24 hours
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| Features:
| • | High-definition video camera records in 1080i, 720p, and 720i specification with analog down-converting | | • | 16:9 widescreen recording; 4:3 conversion capable | | • | Carl Zeiss Vario-Sonnar T* 10x optical zoom lens; digital Super SteadyShot System dampens hand jitter and vibration | | • | CMOS camera system; records to conventional DV tape stock | | • | Powered by NP-FM50 InfoLithium rechargeable battery pack |
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Product Description
The HVR-A1U 1080i HDV camcorder provides real 1080i HD acquisition, with superb image quality and comprehensive functionality for professional use, in a "handy" camcorder form factor. This new HDV camcorder will help to expand the adoption of HDV and lead the entry-level HD market by providing a compact and low cost solution. The new HVR-A1U features a newly developed 1/3-inch C-MOS imager. This new 1920x1080 native imager is also capable of 3 mega-pixel still images. Combined with a high quality Optical Zoom Carl Zeiss Vario-Sonnar T Lens and Sony's new 14 bit A/D and DXP digital Extended Processor, result in precise image acquisition with superb detail and clarity. The new HVR-A1U records this exceptional imagery using the recently adopted HDV 1080i format onto a DVCAM mini cassette.
Amazon.com Product Description
The HVR-A1U is a compact and lightweight handy-type camcorder, ideal for shooting environments that require mobility. Its size, combined with its long battery life (up to 80 minutes of high-definition recording with the included battery), make it easy to get the shots you need, when you need them.  | | See large image | HDV 1080i
The HDV 1080i specification features 1080 effective interlaced scanning lines and 1,440 horizontal pixels. Interlaced pictures, which have been common to TV broadcasts from the beginning, alternately display odd and even numbered lines between each screen refresh. The HVR-A1U can also record at the HDV 720p specification, which features 720 effective progressive scanning lines and 1,280 horizontal pixels. Progressive scanning fills both odd and even numbered lines with each refresh, providing a flicker-free picture. Not yet ready for HD? The HVR-A1U can convert material from 1080i down to 480i and output this digital video signal through its i.LINK interface or as analog signals through component, composite, or S-video connectors. When down-converting these signals, the aspect ratio displayed can be converted from 16:9 to 4:3, and display modes can be selected from squeeze, letterbox or edge crop. 1/3-inch Type, 2.97-megapixel CMOS sensor
The HVR-A1U incorporates one 1/3-inch type primary color CMOS (Complementary Metal Oxide Semiconductor) 2.97-megapixel sensor with a formatted for a 4:3 aspect ratio. The advantage of a CMOS sensor over CCD is it's ability to process a large volume of picture data at a very small size, which makes it possible for a camera this size to capture HD video. The trade off for this kind of chip over CCD, however, is a small loss in picture uniformity and dynamic range.  | | Keep an eye on audio levels on the LCD monitor |
Audio
The HVR-A1U adopts the MPEG-2 compression format, which uses 8-bit digital component recording with a sampling rate of 4:2:0. The camera uses MPEG-1 Audio Layer II audio compression format, allowing for two-channel recording with a sampling frequency of 48 kHz/16-bit. It features a built-in stereo microphone, as well as two XLR audio input connectors for use with professional-grade microphones or external audio sources. Each input level for CH1 and CH2 can be independently adjusted using two audio level dials on the camera body and viewed with an audio level meter on the LCD monitor. Carl Zeiss Vario-Sonnar T* 10x optical zoom lens
The HVR-A1U is equipped with a Carl Zeiss Vario-Sonnar T* high definition lens with a 10x zoom function. It has the same optical coating as is used on all of the Carl Zeiss prime lenses, which produces sharp, high-contrast images with virtually no chromatic aberration. In order to facilitate zoom control and recording operation during low-angle shooting, an additional zoom lever has been added to the camera body. There's also a zoom/focus ring located on the lens body that allows for fine adjustments in zoom position. Furthermore, the supplied wireless Remote Commander unit can be used for external control. Large, 16:9 widescreen color viewfinder and LCD monitor
View your subject through the built-in viewfinder, the swing-out LCD display, or both. The HVR-A1U features a 0.44-inch type color LCD viewfinder and a 2.7-inch color LCD monitor, both in a 16:9 aspect ratio. You'll save battery time by using just one, but you may want to use one for adjusting focus and the other for monitoring audio levels. When eschewing auto focus for the fine-tuning manual focus, you can double the magnification at the center of the screen, making it easier to confirm focus settings during manual focusing. Also, the camera's "peaking" function can provide sharp outlines on the monitor to help with manual focus. Electronic Super SteadyShot system
Sony's electronic Super SteadyShot System helps remove the slight hand jitter and vibration that is often the bane of video production--especially during telephoto shots. It does this by trimming off edges of the frame on the fly to counteract movement.  | | Tele Macro picks up details on subjects from a distance |
Tele Macro
It may seem like a contradiction in terms, but the Tele Macro function allows you to capture a macro image from a distance, which is useful for shooting small moving objects. Additionally, this function puts your subject in proper focus while leaving the background out of focus. The Hollywood look
The HVR-A1U has features that can make your videos look more like they were shot on film. Cinematone Gamma allows operators to quickly setup and load a gamma curve with similar contrast characteristics to a film gamma curve. The Cineframe feature allows movement to be reproduced at 24 frames per second--the speed of film--as opposed to video's 30 frames per second standard. No new tape stock
The HVR-A1U is compatible with conventional DV tape stock, but Sony recommends the use of DigitalMaster PHDVM-63DM tape, with its dual layer of magnetic material, which delivers higher RF output, lower noise, 95% fewer errors and 60% fewer dropouts compared to regular DV tape. More camera features | Assign button -- get quick access to a variety of settings | | Time Code Preset -- fill in any timecode starting value | | Shot Transition -- creates smooth automatic transitions between scenes | | Color Bar -- Two types | | Status Check -- displays camera setting menus for audio, output signal, assign button and exposure lever functions and hours meter on the LCD monitor | | Zebra -- displays a striped pattern in the LCD monitor and viewfinder across highlight areas, helping manual exposure settings | | Quick REC -- shortens the record interval from stop mode. | | Personal Menu -- allows operators to customize the setting menu | | Battery Info -- displays the attached battery's current charge level and its current remaining recording time on the LCD monitor | | Histogram Indicator -- allows you to easily evaluate the brightness of your scene | | Super Night Shot -- allows operators to capture images in black and white using a built-in infrared light | | Skin Tone Detail -- reduces detailed signal for skin color, smoothening the reproduction of human skin | | Black Stretch -- allows more contrast to be seen in dark parts of the picture without affecting mid-tones | | Backlight Compensation -- produces natural tones for both light and dark areas of backlit subject | What's in the box
HVR-A1U camera, AC-L15 AC adaptor, power code, NP-FM50 InfoLithium rechargeable battery pack, lens hood with lens cover, RMT-831 wireless Remote Commander unit, A/V connecting cable with S video, component video cable, USB cable, Memory Stick Duo (16 MB), Memory Stick Duo adaptor, ECM-NV1 monaural electret condenser microphone, XLR audio adaptor, shoulder strap, and operating instructions.
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| Customer Reviews: Read 5 more reviews...
 Great camera for the price!! June 8, 2008
B. Bibbo (Denver NY)
6 out of 6 found this review helpful
I recently had the Canon GL1 and thought it was time to upgrade to Hi-Def. After reading about 30 customer and 20 pro reviews it was the only camera that was offered pro features and great image quality worth way more then the price. It is all because of the CMOS sensor the camera uses. It consumes less power, less money to produce, better image quality then CCD and does not smear light. Some people say it's a consumer camera because it only has a one chip sensor instead of three like a CCD sensor but a CMOS sensor is a lot different then a CCD. A single chip CMOS sensor is three mega-pixels just like three CCD chips. It should be considered a pro camera instead of a consumer camera.
OK; now what the camera can do..... It has a touch screen which is handy but you have to keep wiping it off because it smudges easily. The personalized menu is a great idea; you can have all your most used items at a touch away. The cineframe and cinematone features are a good idea if you want your movies to have a more professional Hollywood look to them. The picture quality in good light is almost identical the image quality of the Sony Z1U which cost $4,000 and that's really amazing!! The low light performance is not that good, this is a downside of the CMOS sensor. I really like the exposure lever, one strange thing is that the camera does not give exposure increments like F1.6 ..... F2.6 it just gives you a bar. Three quarters of the bar is for exposure and the last quarter of the bar is gain which digitally brightens the picture and makes the picture real grainy. Just make sure you adjust the exposure manually in dark places and turn the gain off by not going to the last quarter of the bar. It has some other great features and that I am not going to go in to but you can read about them on this page. One other thing is that this camera is quite compact and I am really amazed at the picture quality that it takes.
Over all it is great camera and a good choice for any one who needs a good Hi-Def camera for a low price.
I hope this review helps and I will be adding more to this review.
06/29/08
I don't know what the problem was with the guy below me. I think he had problems in low light with the camera, this camera is not the best in low light. The auto focus is a little slow indoors but it's a lot better in good light. He also had problems with the mic, there are a lot of settings for the mic and you have to set them right to get good sound. When rewinding tapes I did not think it made a horrendous noise but it does make different pitches as you rewind it. The camera is small, they made it compact so pros could get great images in tight places. If you need a good low light camera go with the Sony V1U.
07/18/08
Price went up $300 from when I bought it, I guess I made a good investment.
 Sony Professional HVR-A1U CMOS High Definition camcorder May 21, 2008
Stephen J. Reid
9 out of 16 found this review helpful
I purchased this camera last month, and almost at once I knew it was not the camera for me. For several years, I've owned and used a Sony DCR-VX2100 3 CCD Mini DV Camcorder, and have been truly impressed with it. I thought that buying a high definition camera from the same company would be a great move. I was so wrong.
The HVR-A1U is the most disappointing camera I have ever come across in my life. It is astonishingly slow to auto focus, and at lower light levels makes nearly continuously adjustments. Even with the CCD turned up to full brightness, the picture looks washed out. Admittedly, I used it mostly at 480i, but even in 1080i mode, the result was no better. So much for the manufacturer's boasts about the Zeiss Vario-Sonna lens; they are, in my opinion, thoroughly unwarranted.
The sound quality was also poor, despite the large mic, and when rewinding tapes, this camera makes the most horrendous noise. It is actually designed to do so since the noise changes pitch as the tape spools from one segment to the next. The sound is irritating at all pitches, and I cannot imagine why anyone would want to listen to it.
The camera was also a lot smaller than the photos lead one to believe, so check the dimensions if you're used to a bigger, semi-professional camcorder.
I returned this camera after trying it for 10 days. Buyer be warned about this one.
 Great but not Perfect December 26, 2007
Robert C. Francis (Belvidere, IL USA)
16 out of 17 found this review helpful
I have been shooting consumer video since 1981. I started with a reel to reel system, worked with a camera and VHS portapack, did 8mm, Hi-8 and replaced my Digital 8 camcorder with this HDV camcorder earlier this year. Primarily, I use it for family functions, but I do shoot things that require me to gather better sound than what comes out of the built-in mics. The primary reason I bought this camcorder was - at the time - it was the lowest price HDV camcorder that had a way to connect to external audio sources. I wanted a Canon A1, but didn't want to wait the extra year or two it would take to save up for that!
I also liked the idea that it used tape. I have a DVR that I fill up all the time and then have to dump onto tape or DVD to store what I want to keep. Also, in my informal in-store tests, the picture with the AVCHD codec just didn't look as good... at this time. I use standard DV tape mostly, but I clean my heads regularly and only record on the tapes once. I can think of two lost half-seconds of video where the key frame was corrupted in about forty hours of collection.
Primarily, I found three things to be important going from SD to HD. One, picture stability. Use a tripod as much as you can and don't make sudden movements. Two, you need a lot of light to shoot good HDV. Three, focus is absolutely critical in HD.
The touch screen menu system took me awhile to get used to. However, you can adjust the menus to have a personal set of menus; putting the menu selections you use mostly at the beginning of the list. Even so, Murphy's Law seems to dictate that you need to hit at least two menus to get to what you want. On a tripod, I find I can navigate quickly to the fader button without too much shake; this is much harder to do when I am doing a handheld shot. Also, I strongly suggest you get an LCD protector for the screen.
In bright light, the camera is fantastic. I've shot landscapes that just blew me away watching on a 46" plasma HDTV. My son played flag football and I covered that - a la NFL films - all in close up and with lots of action in the frame. It looked great and very clear, even in slow motion.
Inside, it's a little different. Family functions tend to take place in low light: table lights, kitchen overhead light, that sort of thing. The camera is not designed to shoot in those light levels (to be fair, no HDV camera seems to be at this time). The video can get very grainy (especially with a lot of dark areas in the frame) and the colors tend to go reddish. I'd say it compares to my Hi-8 camcorder from the early 90's in terms of sensitivity. On the small LCD screen, it's pretty much impossible to determine how grainy it will look. You won't be able to tell until you play it back on something normal sized and then the artifacts can be distracting. I would say anything below a bright kitchen needs some additional light. I've tried a couple of LCD lights that fit on the camcorder, but I haven't found one that I like yet, so I won't recommend one at this time.
However, so far, the stuff I have shot at school seems to look fine under lots of fluorescents. And HDV seems to have a wider range than standard video. You can have a lot of light and dark in a frame before you completely blow it out and have white glowing blobs instead of kids in a spotlight against a dark background (parents have had camcorders for an entire generation; you'd think they would have noticed this by now!). And the camera does have a "Zebra" function that will alert you to areas of your frame that need to be toned down.
The final thing is focus. Again, in bright light, this isn't too big of a problem. Even in flag football, the auto focus worked remarkably well, adjusting to the focus point within a second in almost all cases. Indoors, it does okay with one big exception that I just found out: Christmas tree lights totally screw it up. I don't know what it is, but our tree lights, my friend's tree lights and my aunt's tree lights all had the auto focus totally confused. However, the focus can be manually controlled by a switch on the side and through the dial at the front of the camera. I quickly zoomed in all the way, focused and then began to shoot. In any case, I recommend you zoom in all the way before you shoot as it is very difficult to tell on a three inch LCD screen if the scene is properly focused, but it is very easy to tell when you are watching it on a 46" HDTV!
There is a single button on the side called "ASSIGN" that you can have set up to do a number of things. However, you cannot assign ANY function to the button, just SOME functions. For example, you can't set it to black fader.
A "nice to have" would have been an HDMI out. You have two proprietary outputs for standard video and component HD video that I have hooked to my HDTV permanently. I need both of them because the component only outputs the video, so I have to use the RCA outs of the standard audio as well.
The 10X zoom is okay. I think I would have liked about 15 - 20X though, especially since I primarily use the camera with a tripod. Another issue with a tripod is when you eject a tape. It exits from the bottom, so - at least on my tripod - you have to take it off the tripod, take the connection plate off and then reconnect it after you put in a new tape. This is an annoyance for me about twice a month as I generally shoot 60 minutes of tape every couple of weeks; not critical, but more of why did they change it from the top loading mechanism on my Digital 8 camcorder?
The battery life with the original stock battery that would get sucked dry in less than an hour. However, I picked up a six hour battery and got rid of that issue. Actually, that helps to balance the camcorder in my hand when I use the audio breakout box which fits on the top of the camera towards the front. I use that a lot because the built-in microphones seem to pick up more sound from the sides rather than straight on and they really seem to pick up a lot of wind noise. The external microphone that comes with the camera isn't bad. I shot a football game with thirty mile an hour gusts and only the worst ones came through the wind screen.
The camera will shot still pictures to a Sony MemoryStick. I have a 1GB stick and can fit something like 800 pictures on it. The pictures are okay (no flash) and they are in the 16:9 format of the camcorder. One nice thing is to be able to take a still while recording video. Again, in flag football, I could be shooting the action and then taking a still or two while the kids were running and the 10X zoom was much better than my 3X on my snapshot digital camera.
The camcorder comes with a hood for the lens with a built in lens cover. Unfortunately, if you want to put on any filters, the lens shade can't be used. I have a clear filter on my lens to prevent scratches, use the 37mm lens cover from my Digital 8 camcorder and generally live without the hood.
All in all, I'm pleased with the camera and generally astounded with the quality of the video. It took me a couple of months of use before I was totally comfortable with the camera layout and didn't accidentally turn it off when I wanted to start shooting. It's taken me longer to figure out how to best shoot in HD versus SD, but I'm getting there! I'd recommend the camera though there are now consumer level camcorders with external audio options that you might want to research before buying this one.
Could be better if it uses HDD October 2, 2007
Edison (United States)
4 out of 17 found this review helpful
This is a great camcorder, taking nice videos.
One thing I like to see in their next version is using hard disk, instead of using tape. Tape is not reliable. HDD is a lot easier for repeat use.
Excellent Professional Film Camcorder September 17, 2007
Jean-marc Kalongo
5 out of 9 found this review helpful
At first i wanted to buy the DVX100B ,i did not know that better products could exist, in other hand every time i called DVX100b dealers they were very rude, i really don't understand why !!!!!and they told me i could not use the DVX unless i purchased the lens which was so confusing, so after arguing many time because of their rude and cold attitudes i decided to call Panasonic them self, they told me that NO lens should ever been purchased for that camera to work, and that the lens already comes attached , they also said that such dealer are illegally their try to rip people off big time , seller like bestcameraprice, or express cameras and other expocameras ,are doing the same stupid thing , and on top they are very rude, like it's out of style,!!! it also look as if it's the same Dealer that has several website and try to act up as different one from the other be ware!!!
I started to accept the possibilities of using other brands,for my work, cause i was looking for the Hollywood look and 24fr/PS and a pro camera, so i stared looking around after many ,many long, and sometimes frustrating hours Thank God i discover the SONY HVR A1 the Perfect one " The one hat gives you 24fr/s and the Hollywood look, and the craziest of all it delivers AMAZING HIGH DEFINITION which the DVX 100B don't so in conclusion the Sony HVR A1 is a great Professional Power Pack Camcorder it is a slap in the face to those that are accustomed to the same thing !
The HVR A1 is a must have.
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